With the Independence of Singapore in 1965, the future began with architecture.
In a short window of the euphoria of a new national identity, architecture became a vehicle, to live the dreams of the 'modern' future, forward looking and different from its traditional neighbors. Young Architects like Moshe Saftie and Paul Rudolph got a chance, to realize their visions on a larger scale. A lot of these buildings of the early time of the republic have been destroyed already and made way to a much more speculative and commercial architecture. Others will follow in due time and therefor will erase the most important built documents of the founding of a nation's future and they serve as interesting examples of a tropical modernism. Every time we go and visit Singapore, another building vanished. Ironically, Singapore erases with those decisions the architecture of its founding years, and officially only preserves the british colonial architecture history.
As one of the many anonymous buildings of a period, this hotel combines solutions for climatic constraints (in terms of large shading cantilevers) with the desire, to elevate the dogma of modernism into a more individualized need for form and ornament.
One of the highlights in Singapore is the Colonnade by Paul Rudolph. Still today, one of the most expensive residential estates, it took a unique approach, on how to ventilate a building within a tropical climate by increasing the porosity of its volume, creating more semi-outdoor areas and shaded surfaces. The building demonstrates, that the 'tropical modernism', other than the western one, is based more on climatic and environmental factors, than technological.
The Concourse by Paul Rudolph is an office complex, that is like all Rudolph's work in the Tropics, based on the climatic constraints. With windows, being responsible for nearly 80% of the heat gain and loss in a building, the project orientates the window away from sun exposure by tilting it to the ground.
The Mandarin Oriental and the Pan Pacific are fine examples of variations of 'bris soleil' buildings. Their orientation to sun and the maximization of shaded building surfaces drives the projects to introduce the concept: form follows constraint, form follows environment (versus the modernist dogma of form follows function).
Futura, designed by a local architect, stands symbolically (and mainly by its name) for the new era of Singapore. The cantilevered odd sunshades, crystalline window glass curving around the living rooms, precast construction elements, irregular floor plans, Futura is the characteristic for that time, yet will be taken down soon to give way for a more efficient development.
William Lim studies in the 60ies at the AA in London. Upon hist return to Singapore, he was commissioned the first large scale mixed-use development ever: The Golden Mile. I guess Archigram must have been angry, that he could build, what they only draw. Not talking about style, the complex is highly fascinating in terms of circulation and use. The base is a shopping mall with a central atrium. Above, there is a long, four story office block, facing the adjacent street. It serves as the structural base for an A-frame, which supports a leaning terraced block with residential units, facing the river (behind the street). This A-frame situation gives way to an open, fully shaded, but also fully ventilated outdoor atrium, which contains public areas and an elevated sport ground. It seems, that this project is save for now. After a period of decline, it has seen a boost in popularity recently, with artists and architects moving in and upgrading the facilities.
There have been a few initiatives lately, to preserve the modern buildings of Singapore. Mainly dedicated architects, who have no financial muscles, were trying to emphasis on the importance of those (and many other) buildings.
Although we are not really into conversation ourselves, we have encountered by talking to the inhabitants, that most of them have a deep affiliation with those buildings. Particular sad was the visit to Habitat, half a year, before it finally vanished. Most residents were very angry about the coming loss and after visiting the flats, we did understand why: Spatial refinement and spatial atmosphere was extremely high; rarely to find anywhere else.
Unfortunately, we contacted the developer afterwards, to educate him about the value of the building, hoping, we could convince him to find alternative solutions to save Habitat. We were trying to convince him of creating an extension, which would integrate the old building (similar to OMA's Whitney Museum extension). He was glad to listen to our compassion - and offered us the facade design for the upcoming new project, which would replace Habitat as a standard, maximum efficiency, no soul development...
© 2011, ice - ideas for contemporary environments
